Volume 5, Issue 2, p. 10-14, August 2022
Doi: https://doi.org/10.32435/envsmoke.20225210-14
Environmental Smoke, e-ISSN:
2595-5527
“Science, current events and
its challenges”
Full
Article:
SCIENTIFIC
ILLUSTRATION: A BRIEF REVIEW AND THE EMERGENCE OF 3D ILLUSTRATION
Márcia
Venâncio¹* (https://orcid.org/0000-0002-3005-9121)
1Interdisciplinary Centre of Marine and Environmental Research (CIIMAR),
University of Porto (UP), Matosinhos, Portugal
*Corresponding
author: marciavenancio433@hotmail.com
Submitted
on: 01 Jul. 2022
Accepted
on: 18 Aug. 2022
Published
on: 31 Aug. 2022
License: https://creativecommons.org/licenses/by/4.0/
Abstract
Scientific illustration can be defined as a
realistic representation of an object that the illustrator or the scientist
observes, pointing out features that they want to show.
Over the years, illustration has fulfilled
different objectives, becoming an indispensable tool in the science service,
being extremely important to understanding the natural world and recognized as
a significant factor in the emergence of modern science (MOSER, 2014). The
scientific illustration helps to define the object in a simple way, being
instantly “readable” or easy to interpret, even for a non-erudite and is a form
of visual scientific communication (MOSER, 2014; CERVIÑO; CORREIA; ALCARÁZ,
2016). For these reasons, drawing is a tool appreciated by scientists.
The aim of this article is to show the
different areas of application of scientific illustration and
also the emergence of the digital illustration, particularly the 3D
illustration.
Keywords:
Scientific illustration. 3D illustration. Scientific communication.
1 Scientific illustration’s definition
Scientific
illustration can be defined as a realistic representation of an object that the
illustrator or the scientist observes, pointing out features that they want to
show. Thus, illustration is an important way of science communication, working
as a universal language that helps to understand complex individuals or
processes (CERVIÑO; CORREIA; ALCARÁZ, 2016).
This type of
illustration transmits the interpretation of the observer (the illustrator
and/or the scientist), having an informative value (MOSER, 2014). In fact, the
scientific illustrations have changed over the years: the highly realistic mode
of representation was transformed into an interpretative and selective way of
representation (HODGES, 1989; MOSER, 2014). Instead of representing the exact
appearance of the specimen observed, illustrators began to highlight special
features that are important to show (that are scientifically meaningful),
illustrating an accurate ideal in place of a real specimen and creating a
simplified, but the more attractive and didactic image (MOSER, 2014; CERVIÑO;
CORREIA; ALCARÁZ, 2016; GARCÊS, 2021). This innovative and more abstract form
of representation was defined as a new kind of “scientific realism” (MOSER,
2014).
Despite the
contribution that the realistic mode of representation had to science,
especially during the Renaissance (with highly detailed and technically precise
illustration), the “scientific realism” brought a specific purpose: to compare
systematically sets of objects (MOSER, 2014). Besides that, the “scientific
realism” represents the principal characteristics of the specimen, omitting the
information that’s not essential to the classification of the organism (MOSER,
2014). To do this kind of illustration it is necessary to have “selective
looking”, in order to capture the main characteristics
of the specimen (MOSER, 2014). Therefore, this type of illustration is
considered “accurate” because it represents the key features of a specimen,
communicating the essence of the object of observation (MOSER, 2014). This
contributes to the application of the scientific illustration, not only to
precisely represent the object of observation but also to represent ideas or
reconstructions of new findings (CERVIÑO; CORREIA; ALCARÁZ, 2016).
Summing up,
the principal concepts of a scientific illustration are: i)
the reality inferred, ii) the observation (of that reality) and iii) the
interpretation/understanding (of that observation) (CERVIÑO; CORREIA; ALCARÁZ,
2016).
It is
important to highlight that, in a scientific illustration, the artist’s
personal creative perception is not enough, and a holistic interpretation is
needed for an efficient analysis. The respect for the investigation, the
observation and interpretation of the object of study and the accuracy are the
essential points for a good scientific illustration (HODGES, 1989; CERVIÑO;
CORREIA; ALCARÁZ, 2016; MARQUES, 2017).
2 Importance of illustration in science
Over the years, illustration has fulfilled different objectives (e.g.,
religious, scientific, technological, etc.), becoming an indispensable tool in
the science service (CERVIÑO; CORREIA; ALCARÁZ, 2016). Historians of science
have already demonstrated that the scientific illustration is extremely
important to understanding the natural world, being recognized as a significant
factor in the emergence of modern science (MOSER, 2014).
Recently, images have become treated as a part of “material culture”,
becoming even more significant to science (MOSER, 2014). These illustrations
facilitate the definition and the classification of the specimen observed and also express the interpretation that scholars are
formulating concerning the phenomena studied (MOSER, 2014).
The scientific illustration helps to define the object in a simple way,
being instantly “readable” or easy to interpret, even for a non-erudite and is
a form of visual scientific communication (MOSER, 2014; CERVIÑO; CORREIA;
ALCARÁZ, 2016). Therefore, scientific illustration is vital for a fast progress
of science (CERVIÑO; CORREIA; ALCARÁZ, 2016).
Scientists appreciate the use of drawings to illustrate their work
because: i) it represents a simplified interpretation
of the object of study; ii) they are more abstract (emphasizing the principal
characteristics of the specimen) than a photography, but still more accurate
than schematics; iii) they present spatial visualizations that could not be
photographed or effortlessly schematized; iv) they integrate information from
different fields; v) and finally they can be easily shared and understood by
the public without a scientific background (GARCÊS, 2021).
Nowadays, with the development of the internet, the scientific
illustration gains even more importance, for the reason the internet permits a
faster dispersion of the scientific knowledge and more accessibility to
everyone and, associated with scientific illustration, it permits the diffusion
of this knowledge in a simple and attractive way (even the complex concepts)
(GARCÊS, 2021).
3 Applications of scientific
illustration
The scientific illustration can be utilised in diverse areas of science,
such as medicine, botany, zoology, etc.
When the objective is to represent something that is not possible to
photograph, such as plant life cycles, extinct species, subatomic particles or
something in outer space the illustration is the only way of visual
representation, providing highly valuable scientific information (CERVIÑO;
CORREIA; ALCARÁZ, 2016). The figure 1 is an example of a reconstruction
of an extinct species, made from the skull.
Figure 1. Example
of a reconstruction made from the skull of a Allosaurus sp., using ZBrush – a sculpting program (ZBRUSHCENTRAL, 2022).
Access on: https://drive.google.com/file/d/1lC7GrPR0MP3m8hlSDJ1XLcOB28W_yKcw/preview.
Regarding the area of botany, the illustration can be used to do a
detailed representation of individual plants, but, more impressive than that,
it’s also a way to represent an idealized portrayal of generic “forms,” showing
the roots, leaves, flowers, and fruit of a plant all in a single image (Figure
2) (MOSER, 2014).
Figure 2.
Botanical illustration, made with watercolour, of Gunnera
tinctoria (Molina, 1767), showing the leaves, the flower and the fruit.
Access on: https://drive.google.com/file/d/14wCftLiFKKgRIYll9XauCS7pC16jGUfR/preview.
Taxonomy is one of the most important areas of application of scientific
illustration. In this area of study, illustrating is essential to represent the
archetype (understood as the prototype) of each species, embodying all the
fundamental characteristics of the specimen and aiming to represent the concept
of that particular species, rather than the real
representation of one single individual (directly observed from nature) (CERVIÑO;
CORREIA; ALCARÁZ, 2016). Through illustration, perfect specimens can be
constructed from a series of preserved specimens where none of them is
completely intact (HOLZENTHAL, 2008). In addition, the illustration of a new
species described for science may serve as a type
material, in cases, for example, where the studied specimen has not been
established or when an author relies on these illustrations for a later
description of a new taxon (Art. 72, 74) (INTERNATIONAL COMMISSION ON ZOOLOGICAL NOMENCLATURE,
1999); it is then essential for further analysis.
It is also imperative to introduce scientific illustrations in
educational programs. For example, several studies show that the existence of
illustrations in medical texts aids in the learning process (GARCÊS, 2021).
Hence, science learning combined with pictorial support helps the visual
thinkers to better understand the subject of study (SEVARKODIYON;
PARIMALAFATHIMA, 2014).
4 Digital
illustration: an innovative tool
Nowadays, with the
fast development of technology, scientific illustrators have
the opportunity to use a new tool: digital programs. These programs have
diverse functionalities of illustration (including brushes and pens, gradients,
filters, colour libraries, layers and layer effects, layer blending modes, text
tools, opacity and transparency functions, file formats, etc.) and they are a
good device not only to represent animals and plants, but principally to
illustrate more abstract subjects as galaxies, macromolecules like atoms or
even subatomic particles, extinct species, etc (CERVIÑO; CORREIA; ALCARÁZ, 2016;
HOLZENTHAL, 2008). The principal advantage of the use of digital programs to
illustrate is that “mistakes” can be easily undone without ruining the
illustration. Moreover, illustrations can be saved in varied graphic file
formats for printing, posting on a website, or using multimedia CD-ROMs, such
as interactive keys (SM Video 1) (HOLZENTHAL, 2008).
Recently, started to
emerge of the 3D digital illustration and animation. This kind of
representation is a valuable device, having a great utility in teaching, for
example, morphology (this representation allows to dissect the studied object,
showing the different “layers” of the specimen) (HOLZENTHAL, 2008).
5 Conclusions
It is notable the importance
and the diversity of areas here scientific illustration can be applied. Through
illustration the scientist and/or the illustrator can emphasize a specific
characteristic of the studied object. Moreover, it is essential when the
objective is to represent something that is not possible to photograph, such as
life cycles, extinct species, subatomic particles or
something in outer space (CERVIÑO; CORREIA; ALCARÁZ, 2016).
The digital illustration is
an asset since it allows moulding the image accordingly with the study
development. Recently, started to emerge of the 3D digital illustration and
animation. This is a very useful tool for education, since it allow to show the specimen in different perspectives (e.g.
inside and outside of the specimen, zoom in and zoom out to show
particularities of the specimen, etc.).
Thus, it is important to do
further studies concerning the importance of 3D illustration for science
divulgation and also apply this kind of representation
in practical cases.
Supplementary
Material
SM Video 1. Short animation, showing the
morphology of Chelon labrosus
(Risso, 1827). Programs used: ZBrush
for the sculpture and movie; and DaVinci Resolve for video editing (DAVINCI
RESOLVE 18, 2022; ZBRUSHCENTRAL, 2022). Available from: https://drive.google.com/file/d/1MYaNpKtW1SnqlQSwRdqELNElcNryNXbd/preview.
CREDIT AUTHORSHIP CONTRIBUTION STATEMENT
The author declares that he
has been solely responsible for every phase of this research.
DECLARATION OF
INTEREST
The author disclose that he has no known competing
financial interests or personal relationships that could have appeared to
influence the study reported in this manuscript.
FUNDING SOURCE
The author declares
that no funding is applicable for this research.
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